The gloves are off. The U.S. government drops a bombshell—new tariffs on audiovisual imports from Canada, Mexico, China, and Europe. Hollywood studios, streaming giants, and broadcasters are left scrambling. What was once a well-oiled, international content machine is suddenly a fractured mess of ri...
The gloves are off. The U.S. government drops a bombshell—new tariffs on audiovisual imports from Canada, Mexico, China, and Europe. Hollywood studios, streaming giants, and broadcasters are left scrambling. What was once a well-oiled, international content machine is suddenly a fractured mess of rising costs, broken supply chains, and delayed productions.
Overnight, licensing deals for European dramas become more expensive, VFX work outsourced to Canada is under threat, and the price of Chinese-made broadcasting equipment surges. Budgets tighten, content acquisition slows, and the industry faces an unprecedented crisis.
It is a fact that we are aware about since decades: The audiovisual industry has become very globalized. While we see local and regional players emerge and grow into certain significance, we still have US businesses as the one who benefit most of this globalisation. Yet, there are also signs that this industry is not a one-way road but highly interconnected and kind of co-depending on global supply chains and relationships. Whether it’s Hollywood blockbusters filmed in Canada, Netflix’s European original series, or U.S. TV stations relying on Asian-made broadcasting equipment, the industry thrives on international collaboration.
However, what happens when a major player decides to disrupt the global stage? In a move that could have far-reaching consequences, the U.S. government is imposing tariffs on imports from various countries, including Canada, Mexico, China, and even considers Europe as its next target, potentially setting off a chain reaction that could reshape the audiovisual landscape. This action, aimed at boosting domestic production, could unintentionally undermine the very industry it seeks to strengthen, by raising costs, disrupting supply chains, and inviting retaliatory measures
It is clear that protectionist policies, such as tariffs on imported content, technology, and services, pose a severe threat to this ecosystem.
Personally, I hate borders and any protectionsm: they are torture instruments of the Medival – and utterly stupid and myopic ways to do politics.
Higher Costs for U.S. Companies
Disruptions in Supply Chains
Strained International Partnerships
Consumer Impact: Higher Prices, Less Content Diversity
While tariffs pose a significant challenge, businesses can adopt proactive strategies to minimize disruptions and maintain competitiveness.
1. Diversify Content and Sourcing Partnerships
2. Reshape Supply Chains and Manufacturing
3. Strengthen Direct-to-Consumer (DTC) Strategies
4. Leverage Trade Agreements and Lobbying Efforts
For companies operating in the audiovisual industry, here are concrete actions to mitigate tariff impacts:
For Streaming Platforms & Broadcasters:
For Film & TV Production Companies:
For Broadcasting Technology Suppliers:
The audiovisual industry has been build over decades on the concept of global trade, partnerships, and seamless content distribution. However, protectionist policies and tariffs threaten to fragment this ecosystem—raising costs, disrupting supply chains, and limiting content diversity. Businesses that adapt quickly, regionalize their supply chains, and invest in new markets will emerge stronger from these disruptions.
While the future remains uncertain, one thing is clear: the global audiovisual industry must remain flexible, innovative, and proactive to navigate the challenges of a tariff-driven market.
And as I said over and over again: Its time to become more independent from the US dominance and strengthen your local and regional industry and businesses.
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